Category Archives: Printing

Confident women prints, and an Etsy store at last.

I have been working on a series of prints called Confident Women. So often images of women have either demurely downcast eyes, or a raised heavenward gaze. I want my girls to just be looking at the world as it is. The two below are the best so far, a blue lino cut and a red wood cut.

I have also finally got around to setting up an Etsy shop to try and shift some of these prints that are piling up. It is called JEGSart and you can find it here

You can even buy these two prints there…


Narwhal print process

This was an interesting print in many ways. I only started printing a year ago, so each one is a whole new experience for me. This is a woodblock print, cut into blanks of lime wood I bought in Cumbria. The initial inspiration came from a beautiful photograph of a narwhal in the Geographical Magazine. This lead to a bit of research and a lot of sketching.

Using these sketches, I came up with a basic composition of two whales. Initially I had another tail and a tusk in it, but that looked too cluttered.

Before cutting a block, I spent a week sailing in the Canaries, where we had a wonderful sighting of pilot whales, which gave me thoughts on light on the animals.

I wanted to emphasise the underwater look, and that reminded me of a painting I produced a couple of years ago, based on Natasha Brookes’ short film of swimming in frozen lakes in Snowdonia.

Putting all of these together gave me the basis for the print. The background printed from one block first, using a grade colour to try to give a feeling of deep water below a sunlit surface. The image shows the first layer printed above the inked block.

Each whale was then printed from a separate block, so I could vary the density of colour, to heighten the overlap.

One feature of the Snowdonian swimming painting I liked was the hint of schools of fish. Rather than cutting another block, I cut a paper stencil and rolled ink through it onto a blank lime wood block and then pulled a print from that. This smudged the fish a bit, which was probably a good thing.

Putting all of this together gave me the final print, which I have stamped in an edition of eight.

Dry point engraving

This is new. My first drypoint engraving. Scratched on a thin piece of perspex I took from a cheap picture frame. Nothing complete here, it was just an experiment. Laid the plastic over a sketch of one of my woodcut prints and scratched away with the point of a compass. Rubbed in some ink and wiped the surface with some kitchen paper. Then pressed some wet Japanese paper into it with the back of spoon. I hadn’t expected anything to transfer, so I’m pleased with what did.

I am hopeful that Father Christmas might be delivering me a small etching press in a couple of weeks, so I will wait until then before further experiments.

Leafy print

The first layer of my planned leafy art nouveau woodcut is fully cut and prints quite well, although I am not sure of final colours at all.

I am planning an over lying layer of a leafy girl to compliment, but she is just in the planning stage. I want her to have a thick, plaited pig tail which will echo the least shapes. I was really struggling with this until I noticed a girl working in the cafe had a perfect pig tail, so I tried copying it, and have just about worked out how they work.

New print design

My linocut of Bessie Ellen setting sail was a dismal failure. Poor colours and the fine detail became way too blobby. So it will all be recycled, using the backs for test prints. I’ve started something new, using plywood for the first layer. Swirling art nouveau leaves as a background. The foreground might be a pretty girl, but I haven’t started on her yet. I’ve bought some oil based inks to try, to see if they give me a clearer image.

Preparing to print

A daily drawing doesn’t have to be in a sketchbook. This is a lino block, laid out for a print of the Bessie Ellen West Country ketch setting sail.


It will be carved away in several stages to create the final printed image. I have an idea in my mind of how it will look, but it is very unlikely to end up that way. The cut away areas here will remain white throughout.


These are the first two printed layers, establishing just the basic cloud tones. Impossible to judge how good the finished print might be at this stage.