In the very early 1970s I created a series of small scraper board images, using a set I purloined from my mother. Black Indian ink laid over a white waxy base. You scraped through with a little knife to create a white image. I loved the effect and it was easy to correct with black ink. The viking ship was the first one I did. All the rest are vaguely Tolkienesque, apart from the Blake poem, which was on white scraper board.
My sister has one other that I did, of a king either gazing into a crystal ball, or just about to bowl for a strike. It’s all a matter of viewpoint.
Makes her sound like a piece of furniture. I think she’s done. I like the composition and the figure is fair. I have managed to get some colour into her skin in places which always looks good when it works. The vase on the table is the “waterfall” vase I saw in the Ashmolean.. I’ve popped an Olympian necklace on her so that she’s not totally naked of visitors call.
To see the pedestal of the table, you’ll need to look around the edge of the frame.
I spent the day at the ashmolean museum in Oxford yesterday. Glorious things there, it is one of my favourite museums. They have an outstanding collection of Chinese ceramics, and this 18th century vase was one of my favourites. I didn’t paint in the museum. Just did some sketches and took notes. Very hard to paint a deep dark blue vase on a black base. There was also a Japanese waterfall enamel base which I am trying to include in my “Vermeer” painting. Not easy.
I’ve been looking at too many Vermeers. with their checked floor tiles and rich furniture. I am tempted to put a Turkish rug over the table, but I’m sure that would be a step to far.
My naked girl advances. I have let Manet and Vermeer get involved, which I may come to regret. When you do a tiled floor there is nowhere to hide…
I decided I needed a change from town and landscapes so I have turned to one of my favourite drawings, a very relaxed semi reclining pose from a beautiful model. The drawing is a mess, but I think it catches the pose and even the light. As a painting, I’m going to turn her round, as I have a long term plan for a triptych, with her facing in from the left.
The context I’m still working on, but I want red and green to dominate, so I have hung one of the robes my wife brought back from Nagaland behind her. I don’t know what the green rectangle is yet.
A lot of work still needed on the figure, her head is to big for starters and the perspective keeps changing. No idea what she is sitting on yet.
Blocking in some of the general colour and shading. Much correction of perspective. The canopies on the right were actually bright red, but I think that would upset the balance of the picture