In amongst work on my boats, I’ve managed to do some drawing today. I went to the Wildfowl and Wetland Trust at Slimbridge, which is just down the road from us, and had a go at painting some of the birds from life. Not brilliant, but it’s a start. I shall go back over the winter to see the migrants.
In the evening, I went to the Stroud Life Drawing drop in session for the first time in a long time. We had a lovely model, which made a nice contrast to the middle aged men that I seem to have been drawing in life classes for years. I used pencil to try a tonal drawing, which is not usual for me. Worked quite well and was fun to do.
A good, new model tonight. He had the most wonderful roman nose. Caesar would have been proud of it. I experimented with various media. Red, black and white chalk, biro, charcoal on different papers. I really liked the biro, although I only had 15 minutes for it.
Not a great deal of art recently, due to travel and general indolence. I managed to leave it too late to register for my usual Tuesday afternoon life class in Cirencester. I had delayed because I was getting fed up with their very limited choice of models. The same one kept coming again and again. Now I will have to use the Stroud Life drawing groups evening sessions . They seem to have no problems with getting almost unlimited models . The woman who modeled last Tuesday had come from Cardiff .
The two sketchbook poses are the first and last ones. The other two were done on better quality pastel paper . I am disappointed with the paper in the sketch book , which is to shiny to take more than one layer of chalk. The chalk “pencils” I have tried are also a bit disappointing , especially the white, which seems to have gritty inclusions. I need to invest in some new pastels and paper .
I love sketching with ballpoint pens. To be precise, it has to be a Bic Biro, nothing else works as well in my experience. They aren’t perfect. They can blob and clog up, and the lines and densely shaded areas can have a rather nasty shine. But nothing matches the way it feels when you draw rapidly on good paper. The drag of the point is just about perfect. Textures can be built up through rapid scribbles and crosshatchings. I rediscovered it on my tall ship sailing week in the Canaries last week, where I used it for sketching on the boat, in cafes and on the beach. All I needed were a book and a biro.
Back ashore at a life class this week, I used a bigger sketchbook, but the same biro to do some textured studies .
These three girls will be going into an exhibition of life drawing in Stroud next March. The two on the left were done about two years ago, I think, and she dozing on the right about nine months ago. All are various combinations of soft pastel and charcoal.
I went along to the Stroud life drawing session tonight. Not many people because of the atrocious weather. But a lovely model who I have drawn before. She has wonderful hair. One day I will just try to draw that. A pleasure not to be drawing another middle aged man.
The first layer of my planned leafy art nouveau woodcut is fully cut and prints quite well, although I am not sure of final colours at all.
I am planning an over lying layer of a leafy girl to compliment, but she is just in the planning stage. I want her to have a thick, plaited pig tail which will echo the least shapes. I was really struggling with this until I noticed a girl working in the cafe had a perfect pig tail, so I tried copying it, and have just about worked out how they work.
JEGS Art available from Etsy https://www.etsy.com/uk/shop/JEGSart