These birds are ubiquitous out on the water in Poole Harbour and they are beautiful. I produced this reduction print a couple of weeks ago and I am very pleased with it. The reduction process uses just one linoleum block. You print the largest areas of the lightest colour first, then cut away the areas you want to remain that colour and print the next colour, and so on. If you print 10 copies of the first colour, then that is the maximum number of prints. You can’t go back and print an earlier colour, because the block had been cut down. With mistakes, I ended up with an edition of eight, and that is it.
The first layer, with just the white areas cut away, looks like nothing at all, and I wasn’t sure how it would end up.
The second layer, a light grey, suddenly brought the birds to life.
The third layer, a dark grey, nearly completed the image, but I wanted a red wall at the bottom. No cutting needed, I masked off the area above the wall with a temporary strip of masking tape and just inked the wall.
The final layer of black barely shows on these photos, but defines the black heads of the birds and sharpens the drawing. Just my seal needing adding to complete the work. All was printed on my home made press, which works remarkably well.
I’m still immersed in printing. I’ve wanted to try woodcut for sometime but couldn’t think how to start. As usual, the best way is to just get on with it. This is a block of lime wood I’ve had for over a year, waiting for inspiration. I’ve sketched the head of a peregrine falcon onto it. Now I’m trying to see how to carve out the white to leave a printable surface. All will be revealed when it is inked up, but that is some way off
A portrait session last week. Using poster paints, which are surprisingly good, and acrylics. I kept wondering why I kept getting an odd turquoise colour, however I tried to avoid it. Mark asked me “how do you get that turquoise? I can’t do it”. No one is ever satisfied.
Charcoal and chalk. This is well over life size. Not quite sure why we are doing such big pictures. What on earth do we do with them? I just end up storing them in a plan chest.
It must be nearly Christmas, the art classes have all started. Quick charcoal drawings to get us back in the groove.
I’ve made myself a printing press, using some kitchen worktop, an old bed frame and a hydraulic jack, as you do. It works remarkably well.
The last image shows a woodcut I have been working on at GPC. Interesting to do, but at the moment I still prefer linocut. The colour in the image is from a mini block.
And to carry on with my sketchbook making, I have lagged together a little bookbinding press, using some more of the bed frame which went into the printing press.
Haven’t used it in earnest yet. I need to get some decent paper first.